Chicagoland's Merit is a lot like Vampire Academy's Rose, actually. I'd recommend this series to: anyone who enjoys adult urban fantasies, or to mature YA readers who want to try out books with a similar feel but more adult conflicts. And please, let's have these vampires suck a little more blood!īut those are minor points when I enjoy so much about these books-somehow the Chicagoland Vamps just work for me every single time.
While I appreciate the sprawling and memorable cast of characters, as well as how easily she works back story into the narrative, having to explain so much does slow down the momentum of the beginning of each book. If I had to quibble about anything, I'd say that I do wish the author didn't feel the need to use so many of her characters in every single book. Vampires eyes' get silver when they get angry or excited and let's just say there is a LOT of silvering of eyes and pouncing in this one. There are also some, um, pretty hot scenes in this book. I love that we get to see Jonah, albeit all too briefly-someday he really must get a spinoff series, I think! And I love that awkward Jeff gets some cool moments as well. I love that Ethan is true to the character we've come to know, and proves again what an admirable Master he is, as well as a good match for Merit. The question of doing what is honorable comes up again and again in this series, particularly in this installment as she's faced with a new allegiance she's made with the Red Guard that may threaten her standing as Sentinel and protector of her House. I love that Merit is such a kickass character, but who still struggles with her vulnerability. The series' trademark humor, great action sequences, and complicated political intrigue are all here, in ways that feel familiar and yet still fresh.
On top of that, vampires are disappearing-and a face from the past comes back to make trouble for Merit and Ethan. In this particular installment, the vampires' Cadogan House is in a state of flux as its status among the other Houses is called into question. This series shows no signs of slowing down or relying on tired, recycled story lines or forced conflict to move the action forward. That's not the case with Chloe Neill's Chicagoland Vampires, however. By that point, authors are usually stuck on rules they've set for how the relationships play out, or they're having trouble coming up with new problems without changing the nature of certain characters. With most Book Sevens, I am usually checking release schedules and making all kinds of martyred noises about how series should quit while they're ahead.
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